69TH ANNUAL ALLENTOWN ART FESTIVAL RETURNS TO BUFFALO JUNE 13-14

Buffalo, NY – The Allentown Village Society proudly announces the 69th Annual Allentown Art Festival, taking place Saturday and Sunday, June 13-14, from 11:00 a.m. to 6:00 p.m., rain or shine, throughout the Historic Allentown District of Buffalo, New York. The festival spans Delaware Avenue, Franklin Street, Allen Street, and Virginia Street, transforming the neighborhood into one of Westen New York’s most celebrated outdoor arts experiences. Founded in 1958, the all-volunteer Allentown Village Society has produced this iconic event for nearly seven decades. The Society’s legacу has been formally recognized and preserved by the U.S. Library of Congress as a significant local cultural contribution. A Signature Summer Tradition:The Allentown Art Festival is widely regarded as one of Buffalo’s premier pre-summer traditions, drawing thousands of visitors from across the region and beyond. Attendees enjoy an immersive blend of fine art, local architecture, food vendors, live street entertainment, and the vibrant creative energy that defines the Allentown community.This year’s festival will feature more than 320 juried artists and craftspeople, offering an exceptional variety of artwork suitable for all ages and interests. Community Impact and Annual Giving:The Allentown Village Society continues its longstanding commitment to supporting the arts and education. Thanks to last year’s strong attendance, the Society distributed:-$18.500 in Artist Awards-$17,000 in Student Scholarships-$4,950 in Poster Contest Prizes-$5,000 to the NYS Summer School of the Arts Over the past 30 years, the Festival has contributed more than $900,000 throughout Erie County and the City of Buffalo, supporting scholarships andarts programming at both school and gallery levels. Visitor Amenities:Festivalgoers will have access to a wide range of amenities, including on-site concessions, food trucks, temporary restrooms, and the many restaurants, hotels, and small businesses located throughout the Allentown district. About the Allentown Village Society:The Allentown Village Society is a volunteer-driven organization dedicated to preserving, promoting, and celebrating the cultural and artistic heritage of Buffalo’s Allentown neighborhood. Its work ensures that the Allentown Art Festival remains a cornerstone of Western New York’s creative identity.

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BUFFALO-MANUFACTURING CRISIS ~ PRICING PEOPLE OUT

By Eri Alvarado Gentrification is not accidental; it is a process that starts with disinvestment, where neighborhoods are neglected, resources are withheld, and property values are allowed to stagnate. Followed by targeted reinvestment, incentives for developers, and selective improvements that attract outside interest. As property values and taxes rise, the cost of staying increases, pushing out the very residents who sustained the community through years of neglect. What follows is a transfer of ownership and control, where value created by long-term residents is captured by new investors, and displacement is reframed as “revitalization. The Sean Ryan administration is manufacturing crisis language to justify policy choices that push Buffalo further toward gentrification. They inflated the size of the deficit to justify a large, multi-year tax increase and a set of spending choices that will shift pressure on residents. They are not responding to a crisis, but constructing one politically, inflating it publicly, and using it to force through an agenda that shifts power and acquisition capacity upward and all costs downward to the poor and marginalized. They are using a broader definition of the deficit and a higher spending baseline to justify a large tax increase, without clearly trying to increase proportional, measurable improvements in services or in outcomes. They moved the baseline from adopted numbers to projected spending, expanded what counts as the deficit, and presented that expansion as urgency, without showing residents exactly what changed line by line. Their multi-year tax proposal results in a 50.2% increase, not a one-time 25% adjustment, and nothing in Buffalo justifies that kind of increase or explains a supposed $40 million difference that suddenly appeared when the political narrative needed it. That gap did not materialize ovemight through new services or investments, it appeared through recalculation, through reframing, through the decision to stack future obligations into a single headline number and call it immediately. This proposed tax hike does not protect residents; instead, it gives more leverage to developers, business owners, and outside interests that can absorb rising costs while homeowners, small landlords, and working-class families get squeezed harder. The structure ensures that those with capital can wait, can absorb, can acquire, while those without it are forced into decisions under pressure. A tax increase of that size requires a level of service improvement or fiscal emergency that residents can clearly see and verify, not abstract projections and shifting baselines. Even now, in a city they claim has seen lowering crime, they are inflating the police budget. So which is it? If crime is down, why is policing still funded like the city is under siege? What specific data justifies expanding police headcount instead of stabilizing or reallocating resources? What problem is expansion solving that the current levels can’t? Why does every solution route back to enforcement instead of investment in the conditions that reduce harm in the first place? Why has the budget grown from $566M to $681M in a few years without corresponding visible improvements? Where is that growth translating into living conditions for residents? Why is the deficit calculated against projected spending rather than the adopted budget, and why does that shift is not clearly explained to the public? Why are residents expected to absorb the cost of that difference without a transparent account ofhow it was created? During the years Ryan represented West Side districts, the neighborhood experienced rising prices, increased investor activity, and demographic shifts consistent with gentrification. Properties that once sat undervalued became ecame acquisition targets, rents climbed, ownership patterns shifted, and long-term residents faced increasing cost pressure. That pattern is visible in who stays, who leaves, and who replaced them. That is how gentrification and displacement work, you make it more expensive to stay, then pretend the fallout is just an unfortunate side effect of “hard choices.” You raise costs, you constrain access to relief, you increase pressure, and then you call the outcome inevitable instead of acknowledging it as the result of deliberate policy decisions.

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ART WITH SOUL: TEACHING CULTURE THROUGH ART

by Dianiz Roman Rodriguez There is something special that happens when a child creates. It is not just art; it is connection, identity, and discovery.Through my experience working with children of different ages and backgrounds, I have seen how art becomes a universal language. A space where everyone can express themselves freely while learning about who they are and where they come from. Teaching culture through art goes beyond information. It is a living experience. When children draw, paint, or explore cultural elements,they are not just creating; they are connecting to history, building pride in their identity, and understanding the value of their traditions.Art allows us to teach in a more human and meaningful way. It invites curiosity, questions, and shared learning across generations. In that exchange, we also learn. In a fast-paced world, creating these spaces is essential. Because in the end,teaching culture through art is not just about education; it is about nurturingbelonging, respect, and love for who we are.

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